Faces in the Crowd 1975 - 1979

I'll begin the New Year with another offering of what has now become something of an AFTER YOU'VE GONE staple - the study of what is most commonly known as 'Faces in the Crowd'. This time it is courtesy of Swansea City Football Club between the years 1975/76 to 1978/79. During these seasons, when The Swans were in Division 4 and then promoted to Division 3, their 'Official Match Day Magazine' presented black and white photos of fans standing on the terraces. 

Just like my previous explorations into these intriguing images of 'Faces in the Crowd', the circle around the head of a selected fan - though out of context looks rather sinister - actually meant they'd won a prize of a couple of complimentary tickets to the next home game. It also meant that many decades on, we have a captivating insight into the fashions of the day sported by Swansea fans on the terraces of the Vetch Field (which would be their home ground until 2005, when the club moved to the all-seated Liberty Stadium).

My previous 'Faces in the Crowd' posts dated from 1956/57 (Derby County), 1961/62 (Leyton Orient), 1968/69 & 1969/70 (Millwall). Here in South West Wales of the mid to late 1970s, we get a candid snapshot of match days from Summer to Autumn, to Winter to Spring. The high waisted flared trousers, the mutton chop sideburns, the white and black bobble hats and scarves, the anoraks, the track suit tops - and not a replica shirt in sight.

Compared to the kitted-out world of today's fandom, the terraced landscape still looks as spartan as it did back in the 1950s. Though one thing is for sure - the flat cap had by now been consigned to history (though if you look hard enough, you can still spot one or two...)

Youths in white flares more interested in the grub than the game..  Published in the Swansea City v Scunthorpe United programme, Saturday 27th September 1975

Season 1976-77. Here comes the Summer!

Watching their team, Football League Division Three, 1978/79

From Swansea v Exeter City, Friday 20th February 1976. A light touch with the dark circle on this one.

April 1977, and this time a much chunkier circle - in white

The 1978/79 Season kicked off with a Football League Cup match versus Newport County. So this photo dated back to the previous season when The Swans won promotion to Division 3. Note the two tone circle!

1978/79 again

Smiling faces in a packed crowd looking at the camera - now spot the circle...

1978. Two grandstand tickets to the man in the duffle coat who isn't looking down the camera  lens. 

Please scroll back to my previous explorations of Faces in the Crowds by checking through 'After You've Gone' posts in May 2013, in May 2014 and in June 2015.

I am keen to hear from readers if they know which other clubs published a regular 'Face in the Crowd' feature in their programmes. It would be great to keep this theme going...

Compliments of the Season, Christmas Card 1870

A greetings plate stuck onto the inside front cover of George Buday's 'The Story of the Christmas Card' that was first published in 1954. 

Born in Hungary in 1907, Buday lectured on graphic design at the Franz Joseph University. After emigrating to Britain in 1937, he worked as a book illustrator and as an author. He was elected to the Royal Society of Painters-Etchers (RE) in 1953, and a fellow of the Society of Wood Engravers a year later. He died in 1990.

London's Victoria & Albert Museum holds some of Buday's own designs for Christmas Cards. 

Odhams Press, Long Acre, London

This rather strange 'Compliments of the Season' snowman card dates way back to 1870, and is my favourite of all the cards collected in Buday's slim 48 page book. 

This image was printed in black and white and measured just 5 x 8 cms, so it would be intriguing to know exactly what the original card looked like. 

Season's Greetings!

Young Love #52, DC Comics, 50 Years Ago

I expect that every collector has a a bunch of favourite items that they've picked up over the years. These don't have to be the rarest, the most valuable or prized artefacts in your hoard, but they're the pieces that you're just pleased to have come across and filed away.

I began collecting American comic books as a twelve year old around 1973. Back then my faves were the Marvel superheroes, especially The Fantastic Four, Spiderman, Daredevil and Captain America which I'd discovered a number of years earlier in pared down black and white strips reprinted within British comics like 'Fantastic' and 'Wham!'.

Ever since, I've continued to add comics to what remained of my original collection - the ones that had not been passed on to younger siblings of friends and neighbours. Nowadays I've all sorts of titles spanning different genres and eras, but I've always had a particular interest for the comics that date from the 1960s - a decade dubbed the 'Silver Age' by the specialists. One of the comic book artists that I always admired is Gene Colan (1926 - 2011), who was nicknamed 'genial' or 'gentleman' Gene by Stan Lee, his boss at Marvel Comics.

For this post though, the comic book that I've selected is one of Gene Colan's many essays in romance stories for DC Comics, the company that was Stan's mega rival. It appeared a year before Colan had hopped over to join Lee's expanding team of key artists that defined the iconic look of Marvel's Universe which thrilled me to bits during the 1960s and the first half of the 1970s. Along with Gene Colan, who couldn't fail to be bowled over by the brilliance of Jack Kirby or Steve Ditko or John Buscema or Jim Steranko, and the mind-blowing cosmic worlds visualized by Frank Brunner or Jim Starlin.

Anyway, DC's Young Love No.52 was published exactly half a century ago in December 1965. I bought it for the cover, though in fact along with the 'splash' page, it's the only part of the comic that's actually illustrated by Gene Colan. I was drawn to the bold background colours, and those two 'before and after' panels. The joyful pigtailed girl-next-door transformed into a sophisticated 60's vamp, bathed in pitch black. Amazing stuff, and a concept that seems to be way too adult-looking for the readership of such a title!

All my troubles began on the day I looked like THIS! Fantastic...
The interior newsprint page has opted for softer colours, and different lettering from the glossy cover

Unlike the majority of Gene Colan's superhero art, his romance work for DC (and later on, several love stories for Marvel too) are all relatively unknown to US comic book enthusiasts - and they're sadly quite hard to track down here in the UK as they weren't distributed beyond America, except perhaps its military bases overseas. My guess is that the demand may just not be big enough to justify a reprint anthology of Colan's work in the likes of 'Secret Hearts', 'Girls' Romances', or 'Heart Throbs', but not having everything easily accessible makes it more exciting to discover his superb romance gems tucked away in DC's 12 cent priced four-colour originals.

FREE 5p VOUCHERS

An advert for the ABC Cinemas' Saturday morning Minors Matinees - this one dates back to October 1972. I remember going quite regularly to Saturday morning pictures at this time. Usually rather noisy affairs with kids being dropped off by parents, and often very rarely in time for the beginning of the screenings. So there'd more than often be a racket all the way through the ABC Minors song sing-along , the shorts, the trailers - and which continued well into the main feature as well!

According to the history books, these kinds of matinees had begun in the early 1920s, and the screenings for young folks continued into the early 1980s. But in reality the audiences had dwindled way before then, as had the amount of cinemas left who had bothered to put on kids matinees. So perhaps that's why the ABC decided to run this promotion?

Some of the special Children's Film Foundation titles which we'd be watching on a Saturday morning are still cherished today - such as 'The Boy Who Turned Yellow', which was made by cinema legends Michael Powell and Emeric Pressburger in 1972. 

Coincidentally, the film was released the very same year that all those readers of Sandie, Buster and Lion comics had cut out their vouchers and got a seat in their local ABC cinema for just 5 New Pence...

I spotted this advert in SHOOT! magazine, published by IPC Magazines who were based in Farringdon Street, London EC4.

Anglo Gum & Digger Tobacco, London E1

Another of my photographs taken over 25 years ago. A derelict newsagent's shop in Spitalfields, London E1. Adverts covered in grime affixed to what I recall were barred basement windows. 

PLAYER'S DIGGER TOBACCO  and  ANGLO XL GUM

Back in March 2015, I posted the Basutoland Footballer, a product of Anglo's long run of trade cards that often accompanied their gum. Anglo-American, founded in 1929, was a subsidiary of the famed confectionery giant Mackintosh's of Halifax, Yorkshire. 

Player's introduced their DIGGER brand in 1917. Dubbed after a term for an Australian soldier - though "digger" had actually derived from the name given to prospectors of the 19th century gold rush era. The tobacco itself was grown in Africa, India or Canada, and smokers could buy it in a multitude of formats including: flake, mixture, shag, and pigtail.

Once upon a time..."The Best in their Class"

These glass-backed adverts would almost certainly have been destroyed when the time eventually came to refurbish the property..

What's on TV, Little Dot? February 1969

Spot the ball? Stumbled on a real dotty comic cover - though sadly online, and not the real thing. 

Reminded me of what it was like to be TV addicted in my childhood exactly around the time this issue of Harvey's Little Dot was published...

Fast forward to the tail end of 1978, and listening to T.V. Smith's classy lyrics to The Adverts single 'Television's Over'.  

This was one of those songs from the era that continues to have a great influence on my world view. Skillfully, Smith renders an unsettling, dystopian vision of TV addiction ineffective

The song begins with the classic line "Time to pull out the plugs...", and it ends:

 "Television's Over, Now I feel no Hunger, We feel no Hunger"

Little Dot #121, Harvey Comics, February 1969

"Tonight I see the screen, But not the pictures on it" T.V. Smith, 1978

London Transport Publications 1960s

Sometimes a collection can comprise of as little as just four examples of a similar object - in this case they are a part-set from London Transport's very own publishing house, which was based at their (soon to be vacated) headquarters at 55 Broadway, Westminster, SW1. 

During the 1960s, London Transport issued some beautifully designed editions, which I'm sure can now be heralded as classic artefacts of the time. The four that I've got are: three 10 x 17 cms pocket-sized paperback books, accompanied by a 14 x 21 cms booklet.

What I like about them is a simple and solid house-style, and that each one is boldly colour-coded: black, pink, green, and blue.

Cost Two Shillings and Sixpence, this was a revised and expanded version of a then out-of-print booklet issued a decade earlier.

Back cover of the 28 page booklet

Back Cover, 1963

Author - John R Day. His final sentence in the book reads: "the story of the Underground has many future chapters to be added"

The Foreword begins: "London's countryside is experiencing a mild revolution; motorways and road improvements are altering the face of the land faster than any time since the war"

The woodcuts on the cover and inside title page by Eric Ravilious 

 Ian Nairn's 'Modern Buildings in London' 1964. The cover was designed by Peter Roberson.

Back Cover. The book was printed at The Curwen Press, Plaistow, E13

Ian Nairn, the brilliant and outspoken architectural writer, explored most of the buildings in this book from the top deck of a bus. For more about Nairn's work, do check my 'After You've Gone' entry 'Your England Revisited', August 2014.

Examples of modern buildings include: Alton West Estate, Roehampton, Eros House, Catford, Newbury Park Underground Station, Sceaux Gardens Estate, Camberwell, St Paul's Church, Bow Common.

London Transport made it clear within that "the choice of buildings and the comments on them are Mr Nairn's, and not the publishers". Also that any mention of a building "does not imply that access to it may be obtained".

All four of these publications were sold at the time via London Transport's Travel Enquiry Offices at St James's Park and Piccadilly Circus Underground Stations, Eccleston Bridge (near Victoria Coach Station), and the City Information Centre by St Paul's Cathedral. Or post-free from it's Publicity Office in Marylebone Road...